26/11/2015

Unagihime Jinja Yufuin

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Unagihime Jinja 宇奈岐日女神社 Unagi-Hime Shrine
also read Unaguhime, Unagu-Hime (うなぐひめじんじゃ/うなきひめじんじゃ)
2220 Yufuincho Kawakami, Yufu, Oita / 大分県由布市湯布院町川上2220

Yufu Jinja 木綿神社(ゆふじんじゃ) / Yufusan Jinja 木綿山神社


CLICK for more photos !


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Rokusho-Gu 六所宮
The shrine is known as "Rokusho-sama" or the respectful six gods and it now enshrines six Shinto gods.
The proper name is of the shrine is "Unagi-hime Jinja Shrine", but this lady god Unagi or Princess Eel is not included in the six gods.
People of Yufuin have been struggling with water. Our ancestors might have worshiped eel as a spirit of marshes and created this shrine.
Rokushogu use to have a fairly wide precincts and from there, trees were repeatedly cut down for special usages. A historical document records that in late 16th century, when Samurai lord "Otomo Yoshimune" ruled the area, the shrine offered the trees to built great "Yusuhara Hachiman Shrine", the first shrine of the Bungo area in Oita city.
In 1991, Super Typhoon Mireille knocked down all the huge cedars here and you can see the enshrined stumps now.



Ogo-Sha 大杵社 (Oogosha)
Ogo-sha is a subordinate of Unagi-hime Shrine and was established around the same period.
So it may go back to the age of mythological Emperor Keiko.
The great cedar tree of this shrine was designated as a national important cultural asset in 1934. It measures 13.5 m around the base and 35 m high and is more than 1000 years old.
Near the roots is a cavity around 5 m2. In the new year's eve of 1897, fire got into this cavity and it continued to burn for 2 years 2 month and 2 days. People say they saw smokes gashing out from the top part 30 m up in the sky.
Every body thought the tree was killed. However it gained power after this incident.
Maybe the pests were swept out by the fire and smoke.
- source : yufuin.or.jp/global

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- - - - - Deities in residence:

Kunitokotashi no Mikoto 国常立尊 (くにとこたちのみこと)
Kunisatsuchi no Mikoto 国狭槌尊 (くにさつちのみこと)
Hikohohodemi no Mikoto 彦火火出見尊 (ひこほほでみのみこと)
Hikonagisatake Ugayabukiaezu no Mikoto 彦波瀲武鸕鷀草葺不合尊 (ひこなぎさたけうがやふきあえずのみこと)

Kamu Yamato Iwarehiko no mikoto 神倭磐余彦尊 (初代神武天皇)Jinmu Tenno
Kamununakawahihi no mikoto 神渟名川耳尊 (かむぬなかわみみのみこと、第2代綏靖天皇)Suizei Tenno

社伝によれば、創祀は景行天皇12年10月であるという。『神社明細帳』では、景行天皇が征西のおりに当地で祭を営んだといい、同天皇3年に速津姫が勅を奉じて創祀したという伝承を伝える。
当社
は由布岳の南西山麓に鎮座している。『太宰管内志』では「木綿山にます神なので木綿ノ神社ともいう」という記述があるほか、『豊後国志』でも宇奈岐日女神は由布山神であると記されており、元々は由布岳を神体山として成立した神社であると見られている。
江戸時代までは佛山寺と習合していた.
- - - More in the WIKIPEDIA !

Lake Kinrinko 金鱗湖 Lake Fish Scales
Legend knows that Unagihime made a bet with an Oni demon that he could not build 100 steps up to her seat on the top of Mount Yufudake or make 100 boulder heaps (or throw 100 large boulders or earth in the area in one night ... sources differ).
Anyway then a rooster announced the morning and the job was not finished. The demon had to leave the area. But there was enough earth in the plain to make place for the farmers to grow crops and the lake had become much smaller.



The lake Kinrinko used to be full of unagi ウナギ(鰻)eel, which were the sacred fish of the deity, and even made into the Deity Unagi Hime herself.

Other legends tell this story of Unagi Hime and the Oni named
Kesaki Gongen 蹴裂権現(けさきごんげん)
He tore a rift in the mountains so that the water of the huge lake could flow out . . . and thus the plain of Yufuin was created.



A statue of Kesaki Gongen is very small, only about as long as a hand.
It was kept in the shrine, but after the buildings were lost in a typhoon, there is now just a small sanctuary in the woods, where no-one visits any more.
A local villager takes the statue home to offer prayers during the winter time. He also shows it to the school children and tells them the old story.

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Kamuyamatoiwarebiko (Kamu Yamato Iwarebiko)
Other names: Kamuyamato iwarebiko hohodemi no sumera mikoto, Wakamikenu no mikoto, Toyomikenu no mikoto, Sano mikoto, Hatsukuni shirasu sumera mikoto.

Names referring to the first legendary emperor Jinmu.
The fourth child of Ugayafukiaezu and Tamayorihime (daughter of the sea kami Watatsumi; see also umi no kami). Jinmu originally married Ahirahime [in Nihongi, called Ahiratsuhime] in Hyuga, thus siring Tagishimimi no mikoto. Later, he conferred with Itsuse no mikoto and his other brothers and left on a campaign to subdue the eastern provinces. Both Kojiki and Nihongi relate the eastern campaign while interspersing martial songs called Kume-uta.

Hosted by Usatsuhiko and Usatsuhime, and guided by the kunitsukami Shinetsuhiko, the army passed through the provinces of Tsukushi, Toyo, Aki, and Kibi, finally arriving at Naniwa (near present-day Osaka). The army failed to land there, however, and changed course and proceeded instead to Kumano. During that period, the campaign was successful at subjugating the various tribes met, but in the fight with Tomi no Nagasunebiko (in Kojiki), Jinmu's brother Itsuse no mikoto was killed, and Inahi no mikoto (in Nihongi, Inai no mikoto) and Mikenu no mikoto (in Nihongi, Mikeirinu no mikoto) were buffeted by storms at sea and either drowned or departed to the "everlasting land" (Tokoyo), finally leaving Emperor Jinmu as the sole leader.

At Kumano, Jinmu's army was beset by noxious vapors issued by rough kami, and the entire band fell unconscious, but they were saved by the local man Takakuraji, who received an oracular dream from Amaterasu and Takemikazuchi. With the sword Futsu no mitama provided by Takemikazuchi, Jinmu defeated the rough kami.

When the army lost its way on the road, either Takamimusuhi (Kojiki) or Amaterasu (Nihongi) appeared to Jinmu in a dream, telling him to follow the numinous Yatakarasu crow that would be sent as a guide. Following the crow, Jinmu and his army, led by Michi no omi no mikoto arrived at Yoshino, where they were met by the kunitsukami Ihika (in Nihongi, called Ihikari), Iwaoshiwaku, and the child of Niemotsu. There, Jinmu orchestrated the surrender or defeat of the brothers Ukashi the Elder and Ukashi the Younger, the brothers Shiki the Elder and Shiki the Younger, the leaders Yasotakeru and Nagasunehiko, and the Tsuchigumo peoples.

Finally, in his role as the child of the heavenly kami (amatsukami), Jinmu consulted with Nigihayahi no mikoto who had rendered service in subduing local kami like Nagasunehiko, and after receiving Nigihayahi's submission, he completed his eastern campaign and built a palace at Kashihara, where he was coronated.

The account in Nihongi also introduces numerous other episodes involving the campaign to subject the indigenous tribes, including the appearance of a golden kite (a bird of prey); and Jinmu's receipt of an oracular dream, as the result of which he makes ritual implements from the clay of Mt. Amanokagu. These implements he offered in worship to Takamimusuhi in performance of an oath (ukei), appointing Michi no omi to the position of chief ceremonialist.

Following his coronation, Jinmu, through the mediation of Ōkume no mikoto, took as his empress Himetataraisukeyorihime, the child of Mishima no Ōmononushi and the daughter of Mishima no Mizokui. With her, he produced Kamununakawamimi no mikoto and other offspring, and at Torimiyama he constructed a facility for the worship of the imperial ancestral kami. According to Kojiki, he lived to be 127, and died at Kashihara and was buried to the north of the mountain Unebiyama.
- source : Mori Mizue, Kokugakuin 2005 -


. Jinmu Tenno 神武天皇, Jimmu, the first Emperor of Japan .

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visitor's stamp of the shrine 宇奈岐日女神社 朱印

豊後国大野郡の俵積神社には、宇奈岐日古 が祀られているらしい。
- Look at more photos.
- source : genbu.net/data/bungo/unaguhime -

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Yufuin Onsen 湯布院温泉 Yufuin Hot Spring

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Yufuin (由布院 as onsen resort, 湯布院 as city)
is a popular hot spring resort, located about ten kilometers inland from Beppu, another, much larger and more developed hot spring resort. Yufuin has a wealth of art museums, cafes and boutiques, and many travelers come to the city just to stroll about town for the day.

Yufuin is located on a flat river basin surrounded by mountains. The most prominent feature of Yufuin's skyline is the twin peaked Mount Yufu (由布岳 Yufudake), which hovers over the town and serves as the backdrop for many scenic views. The area is rural and shortly after leaving the main walking route, travelers will come across the rice paddies and farm houses that make up a considerable part of the town.

The ryokan and hotels of Yufuin are spread out around town, and not clustered along the main street like in many other resort towns. Instead, the main street is lined with cafes, boutiques and small museums, giving Yufuin an atmosphere more like a trendy shopping area than a traditional onsen town. Nonetheless, there is a large number of lodgings with hot spring baths, some of which open their baths to non-staying guests during daytime.



Another natural landmark of Yufuin besides Mount Yufu is Lake Kinrinko (金鱗湖) lit. "Golden Scale Lake".
The water temperature of this lake annually stays same, because of several brooks pouring in and hot spring gushes in the lake.
When the air temperature is lower than water temperature, you can see evaporating fog coming out of surface and the scene turns into a fantastic mood.
In this lake are fish such as tilapia (originated in Africa), crucian carp, carp and other freshwater fish. Legend say, Lake Kinrinko was much bigger in old days, but several landslides that occurred with earthquake made the lake smaller and shallower.
The lake was named by a Confucian scholar Kuso Mori in 1884, who saw the scales of crucian carp shine in gold. It literally means Golden scale Lake.

The small lake is located at the end of the town's main walking route, about a kilometer and a half from the station. Walking paths surround the lake as well as more small shops and cafes, and there is a small shrine located at the lake's southern end. There are also a few public bath houses, one of which, the Shitanyu, can be used by tourists, while the others are for use by local residents only.

Below is a list of some of Yufuin's best baths: - snip -
- source : japan-guide.com -


The hot springs that abound in the town of Yufuin are divided into three distinct areas.

1. Yufuin Hot Springs (由布院温泉):
These springs are situated near the base of Mt. Yufu. Their plentiful flow of hot water and quiet mountain surroundings have long attracted writers and artists to the area. Currently, these springs are ranked with the second highest water flow in Japan, and their combination of natural environments with forward-thinking urban development have made Yufuin Hot Springs a top health resort destination, drawing visitors from all over Japan.

2.Yunohira Hot Springs (湯平温泉):
It has long been said that these springs are effective in treating gastrointestinal disorders. The nearby stone-paved road, built during the Edo period, suits the atmosphere of the Yunohira Hot Springs, with their history as therapeutic baths.
The Haiku Poet Santoka spent some time here.

3. Tsukahara Hot Springs (塚原温泉):
It is said that this secluded spring located north of Mt. Yufu has been flowing since the Heian period. Tsukahara Hot Spring is recognized as one of the three major medicinal baths of Japan, and its strong acidic pH of 1.4 is reputed to be especially effective against skin diseases.
- source : jnto.go.jp/eng/location -

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. unagi 鰻 / うなぎ eel, Aal .

. Taneda Santooka 種田山頭火 Taneda Santoka (1882-1940) .

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- Reference : 宇奈岐日女神社
- Reference : English


. Shrine, Shinto Shrine (jinja 神社) - Introduction .
- #unagihimejinja #yufuin -
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. Yufudake 由布岳 Mount Yufudake and Haiku .


由布岳や白く化粧しお出迎え
Yufudake ya shiroku keshoo shi o-demukae

you welcome us
with a white makeup -
Mount Yufudake

source : shikata.exblog.jp

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秋天に神の彫りたる由布二峰
shuuten ni kami no horitaru Yufu jihoo

in the autumn sky
the Gods have carved
two peaks of Yufudake


田村木国 Tamura Mokkoku (1889 - 1964)
from Wakayama
published Haiku sōwa in 1947




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- #unagihime #kinrinko #lakekinrin -
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02/10/2015

temizu hand purification

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temizu, choozu 手水 ritual purification of hands
mitarashi 御手洗


. Shinto purification misogi 禊 and rituals .
temizu 手水 (purification of hands and mouth) performed by a Shinto priest.

At all Shinto shrines, worshippers and casual visitors are asked to purify themselves (Harai 祓い) of impurity before praying to the Shinto deities. The act of cleansing is called Misogi 禊 or Misogi Harai 禊祓い, and the actual washing of hands and mouth with water is called Temizu 手水.
... Misogi Shūhō 禊修法 means to conduct one's own purification ritual by bathing in the sea, the river,
or by standing underneath a waterfall cascading at freezing temperatures.
- source : Mark Schumacher


. torii kuguri 鳥居潜り walking through a Shinto torii gate .
Walk toward the hand-washing basin (手水 choozu) and cleanse hand, mouth and mind.


. Shinto Shrine Composition .

the temizuya 手水舎 purification font, purification trough
hand-washing basin

where worshippers purify heart and body with pure water; 
temizusha てみずしゃ / 手水舎


- source and more photos : wikipedia -

The sprout is often in the form of a dragon, but other animals, venerated in a shrine, can also be found.




. Water Sprouting Dragon Head 龍の口から水の出る手水鉢 .
shizenseki chouzubachi 自然石手水鉢 lit. natural stone water basin
and
more shapes of natural stone hand-wash basins

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mitarashi 御手洗
A place to one side of the approach to a Shinto shrine where visitors perform purification rites, including rinsing the mouth and washing the hands. Often a large rectangular basin or cistern is used to hold the water. A pipe supplies the water with a continual stream at one end. The pipe is sometimes concealed by a dragon's or snake's head.
The mitarashi has a roof but the sides are open.



Varying styles and degrees of elaborateness characterize this type of shelter. If a stream or river flows nearby, as at Ise Jinguu 伊勢神宮, it is used as the place for purification and is called mitarashigawa 御手洗川 (a river for purification rites).
- source : JAANUS -

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. Naiku Inner shrine complex of Ise 伊勢神宮内宮 .



The Isuzu River and the Mitarashi 五十鈴川と御手洗場(みたらし) ,
the place for ritual ablutions before entering the Shrine compound

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Water-spouting statue of cormorant in Temizuya
(手水舎, purification trough) at Uwase Jinja (宇波西神社).

. Shrine Uwase Jinja 宇波西神社 .

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. komainu 狛犬 / 高麗犬 / 胡麻犬 "Korean Dog" .


source : Maruoka on facebook
櫛原天満宮(久留米市東櫛原町) Kushihara Tenmangu, Kurume

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尾道・向島・厳島神社の手水鉢 Onomichi, Mukojima Itsukushima Jinja
source : 郷土愛好


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Japanese Shrine Etiquette, How to do a Temizu
When entering inside a Shinto shrine, the visitor should perform a symbolic cleansing called temizu (from te “hand” and mizu “water” - water to purify the hands). This purification is considered indispensable before visiting the sacred area and it signifies the removal of evil and pollution. For the ritual, every shrine provides an ablution pavilion - chōzuya or temizuya - usually a stone basin filled with clear water, with wooden ladles.



How to properly perform temizu:
Take the ladle with your right hand, fill it with water and pour some water to rinse your left hand. Then, move the ladle to your left hand and pour water over the right hand.
Now, you take again the ladle into your right hand, cup the left hand, pour some water into it and use it to rinse your mouth.
Finally, repeat the rinsing of the left hand and place the ladle back.
- source : muza-chan.net/japan -

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- Reference : 御手洗

- Reference : temizu


. Shrine, Shinto Shrine (jinja 神社) - Introduction .

- #temizuya #chozubachi #handwashing #mitarashi -
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CLICK for more photos
Mitarashi area at Shimogamo Shrine, Kyoto

. mitarashi dango 御手洗団子 rice dumplings after hand-washing .
- - kigo for late summer - -

These dumplings are eaten at the Mitarashi festival (Mitarashi-E 御手洗会) of
Shrine Shimogamo Jinja in Kyoto 京都の下鴨神社.

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There are quite a lot of haiku about the ritual ablutions before visiting a Shrine.


source : my garden webry

冬ざれや貴船の宮の手水鉢
fuyuzare ya Kifune no miya no choozubachi

withering in winter -
the hand-wash basin
at Kifune Shrine


洛山人 Rakusanjin


. Kifune Shrine 貴船神社 Kibune Jinja .
Kurama, Kyoto

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Masaoka Shiki 正岡子規 has quite a lot during all seasons

choozubachi 手水鉢 basin to wash hands
Often also in a the compound of a tea ceramony house.



手水鉢横にころけて苔の花
choozubachi yoko no korogete koke no hana

beside the hand-wash basin
moss blossoms
in abundance



手水鉢八手の花に位置をとる
手洗へば蚯蚓鳴きやむ手水鉢

うくひすや落花粉々たり手水鉢
二三枚木葉しづみぬ手水鉢
二三枚落葉沈みぬ手水鉢
五月雨や蟹の這ひ出る手水鉢
人に迫る沈丁の香や手水鉢
元日の雀鳴くなり手水鉢
初雪や雀よろこぶ手水鉢
雪ながら竹垂れかゝる手水鉢
古庭の柳散りけり手水鉢
寒椿落て氷るや手水鉢
孑孑や松葉の沈む手水鉢
孑孑や須磨の宿屋の手水鉢

団栗や屋根をころげて手水鉢
春もはや蛙鳴くなり手水鉢
曙や一葉浮いたる手水鉢
真白に李散りけり手水鉢
紫陽花や一ふさ垂るゝ手水鉢
紫陽花や一輪たるゝ手水鉢
蕃椒手水盥の水赤し 唐辛子
銭亀や水ぬるみたる手水鉢
露こぼす秋海棠や手水鉢
鶯や我かげうつす手水鉢


. Masaoka Shiki 正岡子規 .

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Takahama Kyoshi 高浜虚子

傾きて太し梅雨の手水鉢
元朝の氷すてたり手水鉢

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kawatemizu, kawachoozu 川手水 "river to wash the hands"

涼しさや椽の際なる川手水
涼しさや縁の際なる川手水 / 涼しさや縁からすぐに川手水

this coolness -
right by the veranda
a river to wash hands


Issa had spent the night in Suzaka (Nagano) at the rich merchant Tanaka family 田中本家 in 1823 and felt quite refreshed.
The garden with a large pond ant the mountain in the background had been designed by a gardener from Kyoto.



Now there is also a Museum 田中本家博物館.
source : urawa328/tanakake.html


. Kobayashi Issa 小林一茶 - cultural keywords .

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短夜や同心衆の川手水
mijikayo ya dooshi shuu no kawatemizu / kawachoozu ( かはちょうず kahachoozu)

this short night -
Edo policemen wash their hands
in the river


. Yosa Buson 蕪村 and the Edo policemen .

「手水(ちょうず)」は、「テミズ」の音便.


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参道の脇の流れを初手水 長沼三津夫
おぞましの毛虫こそ居れ手水鉢 島田青峰
お岩木の手水の真清水手に痛し 高澤良一
ゆふだちや洗つて酒を手水鉢 泉鏡花
今朝冬の日当りそめし手水鉢 富安風生
仙蓼(千両)や蛙鳴き出す手水鉢 風斤

其儘に萎びし菊や手水鉢 寺田寅彦
冬ざれや貴船の宮の手水鉢 洛山人
囀りの一羽は下りて手水鉢 比叡 野村泊月
夏影や松の下なる手水鉢 清原枴童 枴童句集
懐手水かきありと言つてみよ 平井照敏

手水おつる下にあつまり嵐の蟹 川島彷徨子 榛の木
手水にも温泉ひきあり紅葉宿 大橋櫻坡子 雨月
手水水涼しかりしを金火鉢 曲言 選集「板東太郎」
手水湯や流しそこなふ雪の上 膳所-弩鳥
手水舎に青竹柄杓年用意 平井 梢
手水鉢に蝸牛落ちぬ何とせし 尾崎迷堂 孤輪
手水鉢の氷砕きゐる遠忌かな 銀漢 吉岡禅寺洞
手水鉢底から開き小鳥来る 平井さち子
手水鉢氷らぬ日なし実南天 草村

春の夜のぬつと使はぬ手水鉢 川崎展宏
春の夜や手水のための片戸さし 小杉余子
朝寒や寒水石の手水鉢 寺田寅彦
涅槃会の毬藻沈めて手水鉢 青木重行
病葉や朝ごと替ふる手水鉢 大橋櫻坡子
白露や草の中なる手水鉢 西山泊雲
秋の水湛へて溢る手水鉢 吉屋信子
筧より受ける手水の淑気かな 村井杜子
練行の手水手水と僧走り 阿波野青畝
腹立てて水呑む蜂や手水鉢 太祇
臨済の手水孑孑おのづから 飴山實
芭蕉風吹いて塵浮く手水鉢 西島麥南 金剛纂

花の夜の手水に立ちて湯醒気味 石塚友二
花八つ手水を貰ひに研師来る 森藤千鶴
花八つ手水張つてある四斗樽 池田順子
花泛けて遅々と日めぐる手水鉢 清原枴童

若餅や手水とばしる美濃の滝 言水
蕣に今朝も手水をわすれたり 酔滴
薄氷や山茶花散り込む手水鉢 寺田寅彦
虫の夜の柄杓探りぬ手水鉢 尾崎迷堂 孤輪
逃げ易き手水の草履大石忌 山田弘子 懐
通夜のあしたの手水の水がざぶざぶ溢れ
風寒き流れの音や手水鉢 広瀬惟然
風花や読経の響く手水鉢 中村照子
風邪に臥すや枕に近き手水鉢 雑草 長谷川零餘子
養老の滝壺くめやはつ手水 鳳朗
鶏頭や釘に掛けたる手水樽 尾崎紅葉
source : HAIKUreikuDB

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. Legends and Tales from Japan 伝説 - Introduction .

一心寺の観音堂の前にある手水鉢は、潮の干満と対応して湿ったり乾いたりする。

.......................................................................

toori akuma 通り悪魔
自宅庭の手水鉢近くに茂る葉蘭から焔が3尺ほど燃え上がっていたとき、眼光尋常でない大男が隣家より塀を飛び越えて来て、槍を振り回した。目を閉じて1時間ほどすると、焔も大男もいなくなっていた。この正体は邪気とそれに破られて乱心した隣家の主人であった。これが俗にいう通り悪魔であろう。

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愛知県 Aichi

iwabune 岩船
岩船と呼ばれる、石造の長1丈ほどの船があり、ある人が手水鉢にしようと人夫を使い取り寄せようとしたが、途中で三つに割れた。それでは役に立たないと、元の場所へ返したが、その人は禍にあった。

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Hyogo 神戸市 Kobe

Yakushi Shinko 薬水信仰 Belief in Yakushi Nyorai
まや山天上寺にある句碑の上に穴があいて水が溜まっていた。昔から石神や石仏地蔵碑などにあけた穴に溜まった水を目に付けたり、洗ったりすると目の病が治るという。この様な穴は石仏などの前にある水入れや手水鉢など御手洗などの薬水信仰の延長であろう。

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香川県 Kagawa Sanuki

ama no naki-ishi 尼の泣き石
女人禁制の大川山に登りたいという女が尼となって苦行を重ねた後、山に登りはじめたが、社の近くになって足が動かなくなり、持参の手水鉢も動かず、尼は石にしがみついて泣いた。そこは以後尼の泣き石と呼ばれた。


.......................................................................
ryuu tengu 竜,天狗
讃岐国の万能池にすむ竜が小蛇の形になっていた時、比良山の天狗が鵄の形となって持ち帰って洞内に閉じこめた。そこには一滴の水もなかったので竜はどうすることもできず死にかけていた。しかし天狗がまた一人の僧を拉致してきたが、その僧は手水をつかうところで水瓶を持ちながら洞内に入れられたので、竜がその水一滴を得て天上し、僧を元の房に帰したという。

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0-Daishi san お大師さん Kobo Daishi
昔、女の人が機を織っているとお大師さんが来て、お手水てぬぐいにするからくれと言うので、切って分けた。お大師さんは毎日やって来て、女は1機分2丈8尺の布を7日間で全てあげてしまった。お大師さんが望みを聞くと、このまま仏になりたいと言った。女はそのまま端切れのむらさきちりめんに黒しゅすの着物を着たまま仏さんになってしまった。


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Kochi 幡多郡 Hata district

koku son no kami n tatari 黒尊の神の祟り
黒尊様は肉が嫌いだという話がある。愛媛の宇和島から魚の行商にやって来ていた加賀城庫治郎という人が、牛肉を運んできたところ転落した。黒尊の神の祟りと思って昭和7年に手水鉢を奉納した。


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奈良県 Nara

komori gyooja 子守行者
夜中に用足しに起きて、手水を使おうとすると、手水鉢の辺を火玉がフワフワ浮き、水をかけると他所の方へ行ったという。

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月ヶ瀬村 Tsukigase

Tenjin and Kaminari 天神,雷
幕末の頃、代官が天神様の手水鉢の水を馬に飲ませた。やめてくれと言った人は鞭で叩かれた。代官が500メーターくらい行くと、黒い雲が出てきた。急いで急な坂を駆け下りかけたとき、代官に雷が落ちて馬と一緒に谷下に落ちて死んでしまった。その坂は代官坂と呼ばれるようになった。


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大阪府 Osaka

四天王寺の七不思議 The Seven Wonders of temple Shitenno-Ji
umegae no choozubachi 梅ケ枝の手水鉢

. Shitenno-Ji - 四天王寺 Osaka .


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Shizuoka 阿津町 賀茂郡 Kamo district

fuka 鱶 shark
海上で大鱶が舵に噛み付き、船が動かなくなる。客の番頭を食べたがっているので、服を身代わりにして逃れる。その夜、番頭が宿に入ると大鱶が描かれた手水鉢がある。かっとなって殴りつけ、手を怪我する。その傷口から腕が腫れだし、番頭は死んでしまう。

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Tokushima 宍喰町 Shiikui

御手水の神様は盲目なので、何も言わずに入ると驚く。「ごめんなさい」とか「お願いします」と言って入ると、下の病気をしないという。

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東京都 Tokyo

増上寺にある手水鉢は名石で、数年経ても水は朽ちなかった。干ばつや梅雨の時にも水は増減しなかったという。

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Wakayama 那賀郡 Nachi

If you pour water from the hand basin over your self, you will make a good career.

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仏様に供えたご飯を食べると手が振るう。彼岸の中日に墓参りをすると墓が壊れる。3人で写真を撮るとそのうちの1人は死ぬ。竈の側で喧しく言うと気違いになる。薬を竈の方に置くと病気が長引く。刃物を竈の肩に置くと手が切れる。大根の鬚をとらずに漬けると難船する。箒で打たれたり、朝埃がかかったり、手水をかけられたり、鏡を仰向けに置いたり、切った爪を畳の上に捨てておくと出世できない。


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Yamanashi 上野原町 Uenohara

gundari san グンダリサン
軍刀利神社の祭神、グンダリサンが顔や刀を洗った、中が窪んだ石があり、グンダリサンの手水鉢と呼ばれる。日照り続きで水に困ると、そこまで登って、中の水をかき回して濁らせて雨乞いをした。すると必ず雨が降った。
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軍刀利神社の祭神、グンダリサンが顔や刀を洗った、中が窪んだ石があり、グンダリサンの手水鉢と呼ばれる。この中の水をグンダリサンの手洗い水と呼び、これを疣につけると、疣がなおる。

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- source : nichibun yokai database -



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- #temizuya #chozubachi -
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11/09/2015

kinki taboo

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. imi 忌み / 斎み taboo - Introduction .
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kinki 禁忌 taboo

imibi. kijitsu, kinichi 忌日 taboo day,
mono-imi no hi 物忌みの日, imubi いむび
Imikotoba 忌み言葉 Taboo words

kinichi 忌日, kishin 忌辰 - special days after the death with special Buddhist rituals
(meinichi 命日 - death day anniversary, sometimes celebrated every month after death for one year)

kegare けがれ -、穢れ ritual pollution
misogi みそぎ - 禊 ablutions

. imi 忌み / 斎み taboo - Introduction .

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- quote
kinki - Taboo.
To forbid any contact or proximity with things that should be abstained from.
It is believed that to break the taboo would be to invite misfortune such as injury and illness. For example, people performing kami rites should avoid contact with polluted things for a specified period, and observe abstinence (monoimi) to maintain a state of mental and physical purity. Similarly, the close relatives of someone who has died must avoid contact with the outside during the period of mourning so as not to bring death pollution (kegare) into the community.
- source : Iwai Hiroshi - kokugakuin 2007



Kinki Shuzoku Jiten Taboo No Minzoku Gaku Techo 
- 禁忌習俗事典: タブーの民俗学手帳

Yanagida Kunio  柳田國男 


There are many taboos and ritual restrictions with regard to plants, animals and other things in nature.


. sanbi 産火 shinibi 死火 / 死に火 fire taboos for birth and death .

- under construction -
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........................................................................... Miyagi 宮城県

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body, human body

夜に爪を切るとドス(ハンセン病)になる。ナンバン(唐辛子)や柿の種を燃やすと火難に遭う。体を振っていると貧乏神がつく、などの禁忌がある。

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clothing

躾糸を取らないで衣類を着ると病気になる、着物の躾糸を取らないで着ると狐にだまされる。帯を枕にすると病気になる。足袋をはいて寝ると親の死に目に会えない。新しい履物を午後におろすと怪我をする、などの禁忌がある。

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farming

植えつけた田に苗束を忘れると死人が出る。五月の節句にマンガ(マンガン)をおろせば七里四方凶作、あるいは落雷が多い、日照りが続く。芋畑でホトトギスの初音を聞けば福が来る、などの禁忌がある


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food in general

舞玉の木(正月の行事でミズの木に餅をつけて座敷に飾る木のこと)で団子を刺して食べると死ぬという。味噌を踏めば足が腐る。トロロを食べた茶碗で茶を飲むと中風になる。熱い湯を飲み過ぎれば毛髪の薄い子が生まれる、などの禁忌がある。

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housing, living, toilet

便所の神様の罰が当たるので、便所のなかに痰や唾や汚物を捨てるものではない。炉端を叩けば貧乏神が喜ぶ。風呂に入った後、蓋をしないと幽霊が入る。火に小便をすると、火の神様の罰が当たる。家の中で口笛を吹くと貧乏神が来る、あるいは福の神が逃げるなどの禁忌がある。

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illness, death

死者の家族は二十一日間神社参りをしない。死人の出た時、先祖の忌日をお精進と称して魚、鳥、獣肉を食べない。葬式を三隣亡にすると近所に災いが起こる。寺の帰りに転ぶと凶、などの禁忌がある。


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seafood, fishing

正月16日には出漁しない。漁業に蛇・猿は禁忌である。
釣竿を女性に跨がせてはならない。海上で金物を落とせば不漁、などの禁忌がある。


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wedding

正月に結婚話はしない。嫁をもらう年は煤掃きをしてはいけない。
結婚祝儀の食べ物を山盛りにしてはいけない。
丙午生まれの女性との結婚は避ける、あるいは結婚すると夫が不幸になる、などの禁忌がある。



........................................................................... Tochigi 栃木県

. Taboo about Yamanokami 山の神 .



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- source : yokai database -
- 36 to explore

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日本人の禁忌 ― 忌み言葉、鬼門、縁起かつぎ - - 人は何を恐れたのか
新谷尚紀 Shintani Takanori (1948 - )


- Reference : yokai database 436 (01)


. Shrine, Shinto Shrine (jinja 神社) - Introduction .

- #kinkitaboo #tabookinki #ritualrestrictions -
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- - - - -  H A I K U  - - - - -

禁忌満つ町なにごともなく歩く
kinki mitsu machi nanigoto mo naku aruku

I walk along
a town with many taboos
and nothing happens


伊丹公子 Itami Kimiko (1925 - 2014)
Haiku poetess from Kochi.
- reference -

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zokushin 俗信 superstitions, folk belief
omen for good or bad luck 吉凶
- there are many regional variations to be explored later.


biwa 枇杷の木は病人の唸り声が好きだから、屋敷へ植えると病人が絶えない

gekkei 月経のときに始まった縁談は必ず破談になる menstruation and wedding

hebi 蛇の夢を見ると金が入る dreaming of a serpent will bring money

hoozuki 鬼灯(ほおづき)を屋敷の中に植えると病人が出る。 lampion flower

kaki 柿の種を火にくべると客が来なくなる、ドス(ハンセン病)になる。柿の木から落ちると三年生きられない。

karasu 烏が屋根棟で一声なくと近親者に不幸がある

nezumi 鼠がいなくなると貧乏の兆候 when the rats leave, poverty will come

ninshin 妊娠の夢を見ると近親者や知人に妊娠するものが出る pregnancy

tabi 夜に足袋をはいて寝ると、親の死に目にあえない Tabi socks


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[ . BACK to WORLDKIGO . TOP . ]
- #kinki #taboo -
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07/09/2015

norito incantations

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norito 神詞 のりと Shinto chants, incantations and prayers
kamigoto, kamugoto 神言 / 神語 / norito 祝詞
shinpaishi, shinpaiji 神拝詞. かむおろがみのことば 神歌詞

- quote
kansha 官社 government-supported Shrines
Shrines registered with the Department of Religious Affairs, jingikan 神祗官, that were the dwelling places of the most important deities, kami 神.
During important festivals, priests performed rituals called norito 神詞, which included reciting prayers of praise and invocations to the kami for protection from disasters feared by an agrarian society.
The rituals were followed by the presentation of offerings to the gods by the government, nobility and chieftains. These included various kinds of cloth, food, white horses, weapons, rice wine and timber for new shrine buildings.
- source : JAANUS

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Shinto Norito: A Book of Prayers
by Ann Llewellyn Evans



This book presents, for the first time, a collection of ancient Japanese Shinto prayers in a format where English speaking readers can both understand the deep meaning of the translated text and can also pronounce the original Japanese words.
Shinto is an ancient spiritual tradition, primarily practiced in Japan, which is now spreading its traditions to the western world. Its primordial rituals and traditions touch a deep chord within one's spiritual self. Shinto's focus on divinity of all beings and of all creation, on living with gratitude and humility, and on purification and lustration of one's self and environment will bring light and joy to any reader.
The purpose of prayer and ritual as practiced in the Shinto tradition, is to reinsert ourselves into a divine state of being, not as a new position, but as an acknowledgement and reinforcement of what already exists. Ritual restores sensitive awareness to our relationship to the universe. Through purification and removal of impurities and blockages, we return to our innate internal brightness and cultivate a demeanor of gratitude and joy.
Shinto rituals and prayers were created by ancient man over 2,000 years ago in a time when mankind was more intuitive about his relationship to this world. Because of this, the rites are archetypal and invoke deep emotion within the participants.
This book of prayers will introduce the western reader to the deep spirituality of Shinto, providing explanation of the spiritual tradition and practice and providing a collection of 22 prayers for use in personal meditation and devotions.
- quote - amazon com -


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shinpaishi しんぱいし


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- quote -
Norito
These are liturgies or incantations, words written in a particular script that are then read by the ritual performer at certain ceremonies or festivals involving the kami. In general the classification norito is widely used to include auspicious words (yogoto) as well as the language for ritual purification (harae no kotoba). There are various theories regarding the meaning and etymology of the word norito, but the belief that nori is the nominalized form of noru "to declare" (announce important words in a mystical way), and the belief that to is a suffix associated with cursing or magical acts, such as kusoto "crime of spreading feces on things or polluting," togohito "cursing or damning (this word is of unclear meaning)," or kotodo "breaking relations with a spouse (also a word of unclear derivation)," is close to becoming the scholarly consensus.

Additionally, other explanations concerning the etymology of this word exist such as one suggesting that norito comes from noritabegoto "declare and present words" (by Kamo no Mabuchi) or from noritokigoto "words declared and expounded" (by Motoori Norinaga), but these theories are not seriously considered today. The original form of the word is norito, but later koto "word" was affixed, and in the late Heian period a contraction in pronunciation resulted in the noritogoto being pronounced as notto .
In ancient times the word norito was written in various ways such as 祝詞 or 詔戸言 (in the first book of Kojiki), or 詔刀言 (in the Nakatomi words of celebration), or 諄辞 (in Nihon shoki's portion on the Age of the Kami), or 告刀 (in Kōtai jingū gishikichō), or 法刀言 (in Ryō no shūge). When used as a legal term in proclamations, legal codes or ceremonies, the spelling was standardized as 祝詞. These characters were used in imitation of the Chinese term 祝文 "words read to the gods," with the character 詞 "utterances" exchanged for the original character 文 "written words."

Origins
The origins of norito are believed to be extremely old and the fact that magical words were indispensable in the performances of rituals from antiquity can be witnessed in rituals found in Kojiki and Nihon shoki including the myth of the Heavenly cave (where the Sun goddess hides) wherein Amenokoyane no mikoto makes use of noritogoto. Also, in the legend depicting Ōkuninushi no mikoto's transfer of authority (kuniyuzuri) as seen in Kojiki, auspicious words (jushi) are used to start the divine fire used to cook food to be presented as divine offerings (shinsen). A great number of Norito have been produced since there appearance in documents dating to the ancient period and they are treated as Shintō classics and considered a template for the creation of norito in modern times but the main corpus of norito consists of a set of twenty-seven included in Book Eight of Engishiki which was compiled in the twelfth month of 927. These norito were employed at various ceremonies and rituals at the court which have been read and handed down and are referred to as Engishiki norito or Engi norito shiki.

First there are the customary rituals held at court, and these norito are listed in order with which they were performed:
1) Toshigoi ceremony,
2) Kasuga Festival,
3) The Hirose Great Taboo Festival,
4) Tatsuta Festival to the kami of the wind,
5) Hirano Festival,
6) Festival for the kami Kudo and Furuseki,
7) The "Monthly" (Tsukinami) Festival of the Sixth Month,
8) The Festival (Ensuring the Safety) of the Imperial Palace,
9) The Festival of (the Purification of) the Palace Gates,

10) The Great Purification on the Last Day of the Sixth Month,
11) The mystical words employed during Yamato Fumi Imiki's presentation of the sword,
12) The Pacifying of the Fire Festival,
13) Purification of the Thoroughfares of the Capital,
14) Great Harvest Festival,
15) Festival for the Pacification of the Imperial Spirit. Following these norito, the norito of the Ise Shrines are collected and complied as follows:
16) Ceremonies for the Toshigoi Festival of the Second Month and the Tsukinami Festival of the Sixth and Twelfth Months,
17) the Festival at the Toyouke Shrine,
18) Ceremonial Changing of the Kami's clothing in the Fourth Month,
19) The "Monthly" (Tsukinami) Festival of the Sixth and Twelfth Months,

20) The Offering of the Harvest to the Kami in the Ninth Month,
21) The Offering of the Harvest at Toyouke Shrine,
22) The Offering of the Harvest to the Kami,
23) Ceremony for the Installation of the Consecrated Imperial Princess at the Ise Shrines, 24) The norito necessary for the movement of the Great Kami of the Ise Shrines. The preceding rituals are regular, annual rituals listed in order and,
in addition to those rituals, a few rituals employed under special or extraordinary circumstances are listed:
25) Rituals for use to dispel the violent manifestations of kami (tatarigami ),
26) The offerings made at the time an envoy is dispatched to Tang China,
27) Words of Praise Offered to the Kami by the Provincial Administrator of Izumo (Izumo kuni no miyatsuko).

It is assumed that the twenty-seven types of norito mentioned above are preserved in a form that remains largely unchanged from the time they were presented to the court as a portion of the sixth book of Kōnin shiki, compiled in the fourth month of 820. Numbers 1, 7, 14 are liturgies offered in prayer for the longevity of the emperor's reign and a prosperous harvest of the five grains. Numbers 8 and 9 are liturgies offered in prayer for the tranquility of the emperor's palace, while 10 is the great purification that was offered twice a year to expiate transgressions and prevent disasters throughout the realm. These exquisite compositions were, along with the "age of the kami" section of Nihon shoki, considered to be essential works in the formation of Shintō thought and came to be regarded as sacred. Beginning in the medieval period norito came to be recited widely by among onmyōji (masters of Chinese yin-yang), individuals associated with shrines and even common individuals and, of these recitations, many continue to be used today. Number 27 is unique among and has characteristics that are not necessarily consistent with the other norito listed.
In the case of number 27, the governor of Izumo (Izumo no kuni no miyatsuko), having been recently appointment to his post, would remain abstinent (kessai) for the period of one year while performing rites for the kami of Izumo. Subsequently, the governor would journey to the capital and present the jinpō (divine treasures) and the first fruits of the harvest to the court. These offerings would be received during a ceremony for the longevity of the imperial reign and the norito offered took the form poetry and consisted of a pledge of loyalty on the behalf of the governor of Izumo to the emperor and represents the height of development for these auspicious utterances (yogoto).

Although they are not included among the norito found in Norito shiki, there are a number of other norito that are serve as historically important works from the ancient period. Notably, among these norito exists the auspicious utterances (yogoto) of the Nakatomi which were recited on the day the emperor ascended the throne and also recited at the great festival of the tasting of the first fruits (daijōsai, the norito is called amatsukami noyogoto, or "auspicious words for the heavenly kami"). These norito are contained in Taiki bekki, the journal of Fujiwara Yorinaga (1120-1156), under the entry for the first year of Emperor Konoe (1142) as words presented by Ōnakatomi Kiyochika, and in a text recited by Ōnakatomi Chikasada in the first year of Emperor Toba (1108) two reigns prior to Emperor Konoe (this norito is published in Nishida Nagao's Shintō-shi no kenkyū , volume 2 where he introduces a text copied by a shintō priest [negi ] of the Ise Shrine named Arakida Moritoki who produced a copied dated 1506-1516).

Variously, these norito are also introduced in Nakatomi hissho copied in 1401 by someone in the Fujinami family, descendants of the Ōnakatomi, and can be found in Komatsu Kaoru's "Shin hakken no Fujinamike shozō: Nakatomi hissho (tenjin yogoto) no shōkai to kōsatsu" (Newly Discovered Documents of the Fujinami Family: An Introduction to and Consideration of the 'Nakatomi hissho tenjin yogoto' ). Furthermore, in the sixteenth volume of Engishiki under the entry for the Bureau of Divination (Onmyōrō) in the entry "Items for the Na Festival" there is a text (saimon) containing the lines recited for a ritual by onmyōji (masters of Chinese yin-yang) at this same festival on the last day of the twelfth month.

There is some chronological breadth to the composition of the norito that appear in Engishiki, and it is also believed that certain liturgies like numbers 1), 7), and 10), have passed through several stages before reaching their present form. On the other hand, some liturgies such as numbers 3) and 4) first appear in festivals in 675, and number 27) was first presented in 716, and the place names found in these norito correspond to the historical period of Asuka and Fujiwara Capitals. By gathering clues such as these and comparing them with evidence such as is found in number 2) which was used in the festival of Kasuga shrine which was established in 768, or as in numbers 5) and 6) which were used in festivals established in the during the Enryaku era (782—806), assumptions can be made as to when these norito were first composed. There are also some who argue that the use of words like amatsu yashiro, kunitsu yashiro "shrine of heaven, shrine of the land" as found in numbers 1), 4), 7), 14), and in the Nakatomi yogoto have their origins in the Ōmi Code which was in force from 671 to 689.

Regarding who had the authority to present norito to the court, in the myths contained in Kojiki, Nihon shoki and Kogo shūi, there is the tradition that Futodama, the founding deity (sojin) of the Inbe, was in charge of making offerings, and Amenokoyane, the founding deity of the Nakatomi, was in charge of reciting the norito (though some traditions state that Futodama also was in charge of recitation). Jingiryōmentions the recitation of Norito by the Nakatomi during the Kinensai and Tsukinamisai and preparation and distribution of paper offerings by the Inbe was the established practice. The foreword of Engi norito shiki states that of norito contained therein are to be recited by the Inbe in instances such as the Ōtonosai and Mikadosai, and Nakatomi perform the recitations for those not contained therein (naturally the Nakatomi do not read anything for numbers 11) and 27). Also, because the Nakatomi were primarily in charge of recitation of the Ōharae no kotoba, this later was called Nakatomi no harae.

Style and contents
Providing a categorization of the styles of the norito as they appear in the Engishiki, there would be two large divisions based on how the norito ended. One group of norito would finish with statements such as "I announce: 'Give ear everyone to these words'"; "I announce that this concludes the presentation of this statement and words of praise"; and the other group's norito end with the statements such as "I state with great humility that this concludes the presentation of these statements of praise"; "With great humility I have presented these statements." The former take the form of a public pronouncement to people gathered together at the place of a festival and this is called senmyō(senge)-tai norito (edict style norito), while the latter is are statements presented directly to the kami called presentation-style norito.

In the composition of norito, there exists a basic format in which the name of the kami to be worshipped or origin of the festival as it is derived from myth is given and followed thereby with statements praising the virtue of kami, the presentation of paper offerings and, lastly, entreaties are made of the kami. There are instances where norito from more recent time periods are lacking the portion concerning mythic origins. Although the means of expression is generally rather simplistic, amidst this simplicity one can witness the use of metaphors, enumerations, and reiterations, as well as rhetorical devices such as antonyms and antitheses. These norito formed the apex of virtuous and beautiful expression and epitomized cordiality and respect lending a solemn air to the recitation.

Concerning the way in which norito were orthographically rendered, in order to ensure that norito would be pronounced correctly at ritual occasions, they were written entirely in Chinese characters but the word order itself was Japanese with nouns and pronouns as well as the stems of verbs and adjectival verbs written in Chinese characters of a slightly larger size and suffixes and particles as well as the inflecting parts of verbs are written in man'yōgana in a smaller size. In other words, these norito were written in the senmyōstyle. This style of orthography was frequently used in the ancient period because it was markedly easier to ensure correct pronunciation during recitation than classical Chinese or Japanese-modified Chinese. Even after the general Japanese orthography had changed to a mixture of kanji and kana, the orthography of the norito still preserved the tradition of writing in the senmyōstyle. The paper these liturgies were written on was white washi (Japanese style paper), like torinokogami (Japanese vellum), hōshogami (a stout white paper), and sugiharagami (a lighter, thinner paper), and this paper was then folded generally in seven and one half folds. Even to this day, the paper used for imperial edicts that were presented to imperial shrines, shrines, and imperial mausolea by imperial messengers (chokushi ) follows the specifications established in Engishiki with the norito of Ise being presented on light blue paper and those of Kamo on crimson paper while other edicts are written on yellow paper.

Transitions and research
After the compilation of the Engishiki norito there have been various compilations of norito recited at specific shrines, especially in the middle ages, such as "Nenjū gyōji norito fumi (Kōtai jingū ) [Texts of liturgies recited at yearly events [Ise Shrine]," "Notsuto shidai " (Wakasa Hiko jinja), "Sumiyoshi Daijingū norito," "Hiesha norito kudensho." There are also norito recorded in Suwasha nennai shidai kyūki . Additionally, there are also records that contain fragmentary norito such as the "Miyanome saimon" fragment found in Shūkaisho and Shissei shoshō , as well as various norito from the Ise Shrines, Kamo, Iwashimizu, Hirano, Gion, Kitano, Kasuga and other shrines, known from works like Kōtai jingū nenjū gyōji, Taiki, Shōyūki, Chūshishō, Ruijū daibunin, Azuma kagami, Chōya gunsai, Kanchūki, Entairyaku, Yasutomiki, and Honchō seiki. Some of these medieval norito were simplified over time and became formalized, while others came to be used in conjunction with Chinese and Buddhist terminology. Also, while the Engishikinorito were recited at court by the Jingikan (Bureau of Divinities), it appears that these later norito were actually recited various popular shrine festivals. Even though we refer collectively to "norito" with one word, these recitations and utterances have undergone historical transformations, which made evident by the shear variety of norito that exist throughout Japan. Given this diversity, members of the Kokugaku (National Learning) movement sought to revive the older liturgies. It is at the hands of kokugaku scholars that the entire compilation of norito contained in Engishikibecame the object of study, and research and because of this initial efforts the study of norito experiences dramatic advances. The court, various shrines, and numerous households began writing liturgies based on the old precedent. Norito produced from the Meiji era on have been written in the same spirit of this restoration that characterized kokugaku.

Among the extant copies of Book Eight of Engishiki, the Kujōke manuscript is recognized as the oldest surviving text, having been copied near the end of the Heian period. This manuscript does not contain the revisions that appear in later texts and the interlinear readings preserve the ancient style of kana. Next is the Urabe Kanenaga text from the Muromachi period, copied in 1523, which preserves an even older form of man'yōgana than exits in the Kujōke manuscript. Also, there is the Urabe Kanemigi text, copied in 1542, which is a manuscript belonging to a different branch of the Urabe. Concerning the production of commentaries and research regarding norito, from the Kamakura period, a number of Shintō scholars produced commentaries on the great purification liturgy, and these are contained in the three-volume work Ōharae kotoba chūshaku taisei. The comprehensive investigation into the complete commentaries of Engishiki began with Kamo no Mabuchi's Engishiki norito kai, a work based largely up the research conducted by Kada no Azumamaro and Kada no Arimaro. Mabuchi also put together a standard reference titled Norito kō. Additionally, there are also works such as Motoori Norinaga's Izumo no miyatsuko no kamuyogoto goshaku and Ōharae no kotoba kōshaku, and Suzuki Shigetane's Engishiki norito kōgi.

- source : kokugakuin, Motosawa Masafumi -

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Norito
by Donald L. Philippi, Joseph Mitsuo Kitagawa



This volume presents the only English translation of the prayers of Japan's indigenous religious tradition, Shinto. These prayers, norito, are works of religious literature that are basic to our understanding of Japanese religious history. Locating Donald Philippi as one of a small number of scholars who have developed a perceptive approach to the problem of "hermeneutical distance" in dealing with ancient or foreign texts, Joseph M. Kitagawa recalls Mircea Eliade's observation that "most of the time [our] encounters and comparisons with non-Western cultures have not made all the `strangeness' of these cultures evident. . . . We may say that the Western world has not yet, or not generally, met with authentic representatives of the `real' non-Western traditions." Composed in the stately ritual language of the ancient Japanese and presented as a "performing text," these prayers are, Kitagawa tells us, "one of the authentic foreign representatives in Eliade's sense."
In the preface Kitagawa elucidates their significance, discusses Philippi's methods of encountering the "strangeness" of Japan, and comments astutely on aspects of the encounter of East and West.
- quote - amazon com -

"A welcome republication . . . of a group of important norito brought out by the Institute for Japanese Culture and Classics . . . The new Preface supplied by Kitagawa is . . .a subtantial essay worthy of attention in its own right. It scetches the cultural, historical, and religious contexts in which the earliest written collection of norito emerged"
--Monumenta Nipponica

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- Reference : 神詞

- Reference : English


. Shrine, Shinto Shrine (jinja 神社) - Introduction .

- #shintonorito #noritochants #norito -
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- - - - -  H A I K U  - - - - -

. WKD : Summer Purification Ceremony (nagoshi 名越) .

In Shinto, not only are the sins, pollutions, and misfortunes of the individual removed, but also evil and misfortune can be removed from a whole nation, life renewed, and the blessings of the gods brought down. The norito prayers used at the 大祓 Ôharae is called Ôbarae no kotoba. It was the duty of the Nakatomi clan to recite it, and so it is also called by the name Nakatomi no harae.
Ôharae today is performed on the last days of June and December of each year.


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05/05/2015

Daiitoku Jinja Akita

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. Sake Legends and Shinto Shrines 酒と神社 .
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大威徳神社 Daiitoku Jinja 大威徳山神社 Daiitokusan Jinja
Akita 秋田県 Kakunodate 仙北市 角館町

This shrine is located on the mountain range Daiitokusan 大威徳山 between 白岩村 Shiraiwamura and Kakunodate. The highest mountain is about 178 m.
The shrine dates back to the Muromachi period.
The main statue is 大威徳夜叉明王 Daiitoku Yasha Myo-O. Before the Meiji period, there was no strict distinction between shrines and temples.

Once upon a time
there were a lot of salmon in the river 玉川 Tamagawa and many fisherman tried their luck on a riverbank just below the shrine, dedicated to the 大威徳明王に Daiitoku Myo-O Deity. Almost every day there was a young monk of high stature in red robes, coming to observe the fishermen. He never accepted any fish offerings and just smiled. They begun to make fun of him, and then one day they bound a flask of sake and some fish on his back with a rope of acebia vine and sent him off home.
From that day on, the salmon did not come up to this river any more.
The child in red robes was an incarnation of the deity Daiitoku Myo-O.
- - - - - Another version of this legend knows this:
The fishermen wanted to grill some salmon for their lunch and went around to gather some branches for a fire. At that moment the young monk in red robes took away their sake flast and salmon, bound it on his back with acebia vine and run away.

People come to this shrine when they have a stomach ace and pray for healing. They are then not allowed to eat salmon and acebia vine.



- source and photos : www.kensoudan.com/



. . . CLICK here for Photos !

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There are two statues in the gate, like in the Nio-Mon.
阿形 - 吽形 - 阿魂 吽魂


source : /froggain.at.webry.info

One carries an ax, the other a short sword.

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. Daiitoku Myo-O 大威徳明王 Wisdom King of Great Awe .
(Skt. Yamantaka)

. akebi あけび【通草/木通】acebia, akebia. .
Akebia quinata (Houtt.) Decne



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- Reference : 大威徳神社 秋田県


. Sake Legends and Shinto Shrines 酒と神社 .

. Shrine, Shinto Shrine (jinja 神社) - Introduction .

- #shrinesdaiitoku #daiitoku -
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02/05/2015

Sake Legends Temples

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. Japanese Legends and Folktales - Introduction - .
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Sake Legends and Buddhist Temples 酒とお寺

. Sake 酒 and local (monster) legends 妖怪伝説 .
- Introduction -

. - yookai, yōkai 妖怪 Yokai monsters of Japan - .
- Introduction -


source : youkai-heim.jp

酒呑童子先生 Shuten Doji, Saka Doji, our teacher


. Shuten-dōji 酒呑童子 Shuten Doji - Saka Doji - "Sake Child" .
- Introduction -

Below are two temples related to Shuten Doji, from Nara and Niigata (Echigo).


.................................................... Nara 奈良県

Byakugooji 白毫寺 Byakugo-Ji
奈良県奈良市白毫寺町392


- source and more photos : 東風庵

- - - Yamato province birth legend
Shuten Doji was a page acolyte at the temple Byakugō-ji in the Yamato province (presently, Nara Province), but found a corpse at a nearby mountain, and due to curiosity, brought that meat back to the temple, and made his priest teacher eat it without telling him that it was human meat. Afterwards, the page frequently brought back meat, not only from the flesh of corpses, but also by murdering live humans and returning with their flesh. The priest, who thought that it was suspicious, followed after the page, discovered the truth, harshly criticized the page, and abandoned him in a mountain. The page later became Shuten-doji, and it has been said that the place where he was abandoned was thus called “Chigo-saka” (稚児坂 page-hill).



According to another theory,
he was a child of the chief priest of Byakugō-ji, but as he matured, he grew fangs and a horn, and later became a child as rough as a beast. The priest was embarrassed by this child, so the child was abandoned, but the child later came to Mt. Ooe, and became Shuten-doji.
- - - More in the WIKIPEDIA !


. Byakugo-Ji and Haiku .


.................................................... Niigata 新潟県 - Echigo 越後

Kokujooji 国上寺 Kokujo-Ji / 運高山国上寺
新潟県燕市国上1407 - Tsubame, Kugami

- Homepage of the temple (one of the oldest in Echigo
- source : kokujouji.com

国上 can be read as Kokujo or Kugami.


CLICK for more photos of the temple !

酒呑童子,茨羅鬼童子 Shuten Doji and Ibaraki Doji

In the village Kugami Mura 国上村 near mount 国上山 Kugami there lived a man called Sado Hayato 佐渡隼人. He had no children and therefore went to Mount Togakushiyama to pray for a son. When a son was born he called him
外道丸 Gedomaru . Gedomaru lived as an acolyte at the temple Kokujo-Ji from the age of 7, because he was quite a wild boy and beyond his parent's control. When he was 17 he had become a very handsome yong man. The local ladies began to look at this beautiful boy when he came down from the mountain to have a drink of sake at the lokal inn.
He loved only sake, so the local folks called him 酒呑童子 "Saka Doji" "the child of sake".
But he never gave a look at the ladies or cared for their love letters. When he burned the love letters he received from all the females, due to one of the lady who was not able to acquire her love, when the love letters burned, the smoke that came out enveloped him, turning him into an oni 鬼 monster.
Because of this, it was said that he, who had now became an oni, was moving from mountain to mountain in Honshu.

Gedomaru later flew to Mount Togakushi in Shinshu and begun to eat the local people there with crunching sounds.
So they prayed to Togakushi Daigongen 戸隠大権現 and Gedomaru went off.
Other legends locate him at 弥彦山 Yabikoyama in Niigata, but finally he settled at 大江山 Oeyama.

- - - - - Echigo birth legend
He, who was born in Echigo in the Heian era (8th century) when Dengyō Daishi and Kōbō-Daishi were active, became a page of the Kokujou-ji (国上寺) (in Tsubame, Niigata) (at the base of Mt. Kugami, there is a Chigo-dou where he is said to have passed through).
While he was 12 years of age, he was a “pretty boy,” and refused all of the females who loved him, and all of the females who approached him died from being so love-stricken. When he burned the love letters he received from all the females, due to one of the females who was not able to acquire her love, when the love letters burned, the smoke that came out enveloped him, turning him into an oni. Because of this, it was said that he, who became an oni, after moving from mountain to mountain centered on Honshu, eventually settled on Mt. Ooe.
One story is
that he was the son of a blacksmith in Echigo, that he was in his mother’s womb for 16 months, and that he had teeth and hair when he was born, was immediately able to walk, was able to talk on the level of a 5-6 year old, had the wisdom and physical strength of a 16 year old, and had a rough temperament, and due to this unusually ready wit, was shunned as an “oni child.” According to Zentaiheiki, afterwards, when he was 6 years of age, he was abandoned by his mother, wandered from place to place, and then walked the path towards being an oni.
There is also a legend that since he was scorned as an oni child, he was put into custody of a temple, but the chief priest of that temple was a user of unorthodox practices, and the child became an oni through learning those unorthodox practices, that he exhausted the limits of evil.
In the town of Wano 和納 (Wanoo, Niigata),
it is said that when a pregnant woman eats a fish called “tochi,” that child will become a robber if it is a boy, and a prostitute if it is a girl. It is also said that a woman who ate the fish, gave birth to a child after it stayed 16 months in her womb, and that child was Shuten-doji.
In Wanoo, there are place names like the Doji estate and the Doji field.
- - - More in the WIKIPEDIA !


- Relation to Ibaraki-doji -
Shuten-doji rampaged together in Kyoto along with Ibaraki-doji, but there are actually several theories about their relation. One of those theories is that Ibaraki-doji was not a male oni, but a female oni, and that Ibaraki-doji was a lover of his son, or Shuten-doji himself. Therefore, it has been said that Shuten-doji and Ibaraki-doji knew of each other’s existence, and aimed for the capital together.

Ibaraki dōji, Ibaraki Dooji 茨木童子 / 茨城童子 "Ibaraki child"
- - - More in the WIKIPEDIA !






. 大江山鬼伝説 Demon Legend of Oeyama Mountain .


酒呑童子 / 酒典童子 (37) tba
伊吹童子 Ibuki Doji / 茨城童子 Ibaragi Doji / 茨羅鬼 - 陰摩羅鬼 Onmoraki Demon / 鬼,餅,酒呑童子 / 酒呑童子,山姥 Yamanba / 片目の魚,酒顛童子 / 山蜘蛛 Yamagumo big spider / 太刀,鬼 / 鬼童 Kidoo - and many more
- source : www.nichibun.ac.jp


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. Legends about Fudo Myo-O 不動明王 .

. Legends about Jizo Bosatsu - 地蔵菩薩 .


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- ABC List of the Prefectures -


Chiba 千葉県

安食町の龍角寺 Ajiki and temple Ryukaku-Ji

. deidarabochi デエダラボッチ, ダイダラボッチ Daidarabotchi Monster .

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Ehime 愛媛県

松山市 Matsuyama

Kyooenji 教円寺 / 教圓寺 Kyoen-Ji
愛媛県松山市 中島粟井甲460

Yakin Bosatsu 弥きんぼさつ / 弥勒菩薩 (Miroku Bosatsu)
At the beach near 御前場 Gozenba a Buddha statue was washed ashore, but nobody could pull it out of the water. But when the priest of temple Kyoen-Ji came along, a well-known sake drinker, he could easily pull it out and thus built a hall for Miroku Bosatsu in the compound. The statue has been carved by Kobo Daishi Kukai himself, and is now a secret statue.


. Miroku Bosatsu 弥勒菩薩 .

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Fukui 福井県

坂口村 Sakaguchi

hebi 蛇 The Serpent
At this temple, rain rituals were held until about 1930.
The elders of the village took some sake and went to the pond ヤシャが池 Yashagaike in the very early morning. They took a plate made of clay, used them as small lights and let it float on the lake. Then they made offerings of sake to the lake.
When the serpent came to drink the sake, the kawarake カワラケ clay plate would be turned over and the light extingt. This was a sign that about one hour later rain would fall.
If the clay plate kept floating, there was no rain and they had to go home.
During this ritual the villagers went to the small temple hall 庵寺 and beat the drum and had some sake themselves while they waited.


. amagoi 雨乞い rain rituals .
- Introduction -

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Fukushima 福島県

勿来町 Nakoso

Idekuraji 出蔵寺 Idekura-Ji
Sakaiidekura-141 Nakosomachi, Iwaki, 福島県いわき市勿来町酒井出蔵141-01

Once upon a time
at Nakoso there was a teacher. His mother was a heavy sake drinker, but the family was very poor and she could never get her fill. And this saddened the son.
So some day he started to dig a well behind the house. And what do you say - there was sake coming out of the well, a very delicious sake indeed.
So his mother could drink as much as she wanted and was very happy.
The hoe which he had used to dig the well is kept at the temple Idekuar-Ji.
When temple was built in 807 (大同2年), this auspicious hoe was used for the first cut of the earth.
And the amazing well is still there,
in the back of the home of 蛭田源右衛門 Hiruta Genemon in the village of 酒井関根 Sakai Sekine.


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田村郡 Tamura

One day after a funeral, people go to the temple to pray and the whole family come together to eat and drink a lot of sake. They offer 四十九日の餅 rice cakes for the 49 days after the funeral (a special date in Japanese funeral rituals). If they can then sneak out some mochi without the priest noticing it, they go home, eat the mochi and will be healed from any trouble or disease with their brain 脳を病.



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Gunma 群馬県

Mirokuji 迦葉山 弥勒寺 Kashozan Miroku-Ji
445 Kamihotchimachi, Numata, Gunma

Tengu 天狗 The Mountain Goblin
The founder of this temple, enson Keijun 天巽慶順 , practised severe asceticism in the mountains.
One of his disciples, 中峰尊者 Nakamine, was very devote and good at flying. Every night, he flew down to the village at the foot of the mountain and bought some sake 酒 to serve his master.

. Kashoozan no tengu men 迦葉山の天狗面
Tengu mask from mount Kashozan .


. Tengu 天狗 Mountain Goblins .
- Introduction -


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Kagawa 香川県

さぬき市 Sanuki

志度寺 Shidodera

daija 大蛇 The huge Serpent
Once upon a time
there were two brothers, 当願 and 暮当, who were hunters. The elder brother went to Shido-Ji to pray and the younger brother went into the mountain to hunt for food, since the family was very poor and there was nothing to eat. The elder brother heard the sound of a gun while saying his prayers and was quite envious. As a punishment, he was changed into large serpent from his head down.
The younger brother felt pity for his elder brother. He carried him on his back to the pond 幸田池 Kota-Ike, hoping for him to get his human form back, and let him slip into the water. The elder brother now became a huge serpent. He plucked his eyes out, transformed them into two large jars and ordered his younger brother to use them for making sake.
The younger brother did as he was told and soon the family prospered by making sake.


. Shidodera 志度寺 Shido-Dera .
- Introduction - - Shikoku Henro Temple Nr. 86

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Nagano 長野県

hyootanishi 瓢箪石 The Gourd Stone
Once upon a time
a wife became very angry about her husband who always drunk too much sake and she split the gourd he had used to store his sake on a large stone. Because of that her husband finally died.
But the gourd shards begun to sigh and mourn every night, they wanted to hold sake again. So the wife brought them to the local temple and had prayers of appeasement said for them.
Eventually the gourd stopped crying.
If people step on this stone, to our day, it is said they will get a high fever (malaria おこり / 瘧).

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Niigata 新潟県

佐渡市 Sado

歓喜寺 Kanki-Ji (Kangi-Ji)

At the slope toward this temple there is a wayside god, Sai no Kami 才ノ神, who will help if children have cough. People offer sakekasu 酒の粕  lees wrapped in straw. This is a favorite food of the Sai no Kami.
一塊りの酒の粕を苞にして供える


. Sai no Kami 才ノ神 / 幸の神 .
Ta no Kami, God of the Rice Fields 田の神さま

. sekigamisama 咳神様 Deity of coughing .

. sakekasu, sake-kasu 粕 / 酒の粕 sake lees .

. Kangiten, Kankiten 歓喜天 Vinaayaka, Nandikeshvara, Ganesh .
Shooten 聖天 Shoten

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Oita 大分県

大願寺 Daiganji and the Kappa

. Kappa Legends from Kyushu  河童伝説 - 九州 .

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Osaka 大阪府

北区 Kita ward

法淸寺 Hosei-Ji

In the compound is the grave of a prostitute 娼婦, who got very drunk on sake and killed her brother.
She was sentenced to death.
If you snip off one bit of her grave stone, pound it to powder and put some of that powder in the sake of a heavy drinker, he / she will be cured soon.

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source : isshuan.com
越後くがみ山酒呑童子行列 Shuten Doji Festival and Monster Parade
Tsubame, Echigo, Niigata



- reference -

yokai database : 酒 寺
- source : www.nichibun.ac.jp (15)


. Sake 酒 and local (monster) legends 妖怪伝説 .

. Shrine, Shinto Shrine (jinja 神社) - Introduction .

- #templelegendssake #sakelegendtemples -
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